Tuesday, August 27, 2019

Is Pop Music Dead?


Is Pop Music Dead?

(October 2018) It’s a subject that I’ve heard discussed in the halls at some of the Mobile DJ gatherings I’ve been to in the last couple of years. It’s one I’ve seen brought up on the social media sites repeatedly. It’s been a subject of frustration and conversation among many of my colleagues. That subject?

Is pop music dead?

I can only address this from a perspective a
wedding-focused Mobile DJ – and in the case of a radio or club DJ it may be different – but for those of us that specialize in matrimony celebrations and are dealing with a demographic that ranges from 2 to 82 week in and week out, finding something that has a mass appeal to such a wide variety has been a challenge these past couple of years. Is this a trend that signifies the end of pop music as many of us have always known it? That’s a conversation that I had with my good friend and author of Billboards Book of Number 2’s, Chris Feldman.

I don't think anything in music is ever "dead." It just recycles and comes back in a slightly different form.” Chris says. “Take rock music. Is the rock of Elvis and Jerry Lee Lewis the same as the rock of the Beatles and Rolling Stones, and is that the same as the rock of Led Zeppelin and Pink Floyd and is that the same as the rock of Journey and Styx, and is that the same as the rock of Poison and Warrant, and is that the same as the rock of Nirvana and Pearl Jam, and is that the same as the rock of Green Day and Blink 182, and is that the same as the rock of Linkin Park and Limp Bizkit, and is that the same as the rock of Creed and Nickelback, and is that the same as the rock of Shinedown, Hinder, Papa Roach, and Halestorm? It's all "rock," but it's all different as time goes on.

“Basically, to everything there's a  season."

“Pop has been the same way. The 50s and 60s had your Bobby Darin and Fabian and Frankie Avalon, the 60s had the Beatles and the Monkees, the 70s had the Bee Gees, Shaun Cassidy, Andy Gibb, Donny Osmond, the Jackson 5, the 80s had New Edition, Tiffany, Debbie Gibson, and New Kids on the Block, the 90s had the Spice Girls, Hanson, N Sync, Backstreet Boys, Britney Spears, and Christina Aguilera, and it hasn't been that long ago music had Katy Perry and Kesha and One Direction and Miley Cyrus and "Call Me Maybe" and "All About That Bass." and "Shut Up And Dance" and "Cake By The Ocean." It might be taking a back seat right now to Drake and Cardi B, but that could just be cyclical. People get tired of hearing the same things for too long.

“Billboard noted recently that rap has been at #1 on the Hot 100 for 32 straight weeks and Drake has been at #1 27 weeks this year. This seems to be a hip-hop phase of music. I recall a year or so ago reading an article wondering whether hip-hop was fading out because the chart-topping songs weren't hip hop anymore. 

“And if you look at music as whole, has anything ever "died"? Swing music was dead after the 1950s, until Jive Bunny came along, and then the Brian Setzer Orchestra and Cherry Poppin Daddies in the 1990s. Easy listening standards died out with Frank Sinatra in the 1960s, until Linda Ronstadt comes back in the 80s with her "What's New" albums and Natalie Cole hits with "Unforgettable," and Tony Bennett does a duets album with Lady Gaga, not to mention Harry Connick and Michael Buble. Even disco got reborn as the dance acts of the 90s like C+C Music Factory and Black Box and Real McCoy and La Bouche. Are they really that different from Chic? Daft Punk even added Nile Rodgers to their song to make it more disco.

“Basically, to everything there's a  season. The 1940s had Bing Crosby and the Andrews Sisters, which gave way to Bill Haley and Elvis and Jerry Lee Lewis, which gave way to Motown acts like the Supremes and Temptations, which gave way to the Beatles and Rolling Stones, which gave way to experimental bands like early Chicago and Blood Sweat & Tears, which gave way to the singer/songwriter like Carole King, John Denver, Simon & Garfunkel, and James Taylor, which gave way to a brief "God music" phase, which turned into rock bands like Bad Company and BTO, which turned into pop acts like Debby Boone and Andy Gibb, which turned into disco like Donna Summer, the Village People, and the Bee Gees, which turned into country/pop like the Oak Ridge Boys, Juice Newton, and Kenny Rogers, which turned into new wave music like the Human League and Duran Duran, which turned into the superstar pop era like Michael Jackson, Prince, Madonna, and Brice Springsteen, which turned to pop music like Tiffany and Debbie Gibson, which turned into hair bands like Bon Jovi and Winger, which turned into dance music like Paula Abdul, Snap, and C+C Music factory, which turned into grunge like Nirvana and Pearl Jam, which turned into Grunge-Lite like the Spin Doctors, Gin Blossoms, and Counting Crows, which turned into the hip-hop acts like 2Pac, Notorious BIG, and Puff Daddy, which turned into pop acts like Britney Spears and Christina Aguilera, which turned into the Latin and Swing revivals of Ricky Martin and Enrique Iglesias and the Brian Setzer Orchestra and Mighty Mighty Bosstones, And that's just getting to 2000. But even during those eras, other acts in different styles charted--Mariah Carey was probably the biggest act of the 1990s, and rose to success during "the grunge era." Female singer/songwriters were big in the late 1990s during the "Lilith Fair" years, when hip-hop was the main musical style.”

True enough, I’m sure the lovers of of Big Band  and the swing music of the 40s were aghast when the likes of Elvis and Jerry Lee Lewis took over the music scene in the 50s, and the do-wop fans of the 50s & 60s truly thought the music had truly died when the music of the late 60s becme politically charged. Even the Beatles had joined the fray by vacating their She Loves You, ya,ya,ya; I Want to Hold your hand sound for Revolution and come Together.

Those political music fans must have been pulling out their hair when the sounds of bubblegum and disco dominated the seventies. And each decade since has had their own dominant sound, yet some of their favorite genres are still available today [swing of the 40s: Big Basd Voodoo Daddy, Bryan Setzer Orchestra].

 The Way I see it, it was just a few years ago (2015) when we were reveling in the pop dance floor fillers like Shake It Off, Uptown Funk, Honey I’m Good and Shut Up and Dance. Maybe we’re only another year away from another gold rush of pop music.

Until next time,
 Michael



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